Free Ebook , by Michael Ondaatje
Free Ebook , by Michael Ondaatje
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, by Michael Ondaatje
Free Ebook , by Michael Ondaatje
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Product details
File Size: 584 KB
Print Length: 384 pages
Publisher: Vintage Digital (August 25, 2011)
Publication Date: August 25, 2011
Sold by: Amazon Digital Services LLC
Language: English
ISBN-10: 0099554429
ISBN-13: 978-0099554424
ASIN: B005GOSTQC
Text-to-Speech:
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Amazon Best Sellers Rank:
#649,115 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
I do love the author's simple but deeply descriptive style of writing. What makes this book fun and interesting are the quirky characters. However, I would have liked if he had tied it together a little more by developing the main characters more by answering some fundamental questions such as: why did Mynah's mother leave him and go to England; how/why did Cassius become a rebel; why was Rhamadin alone on the voyage? The book would have moved at a faster pace if some of the more minor characters (such as the Baron, Hector, Massi) had been left out or not had so much ink devoted to them. The plot line of the prisoner and circus troupe hooked the reader but when I finished the book, I felt unfulfilled. Did the prisoner and daughter survive? What happened to the boys in England? It seemed he skimped on that information and it left too many loose ends to give this book 5 stars.
The book had its flaws, in my opinion, and so I can't give it 5 stars. Actually, I'd give it 3 1/2 but I seem to be able to only go from 3 to 4. Anyway, what didn't work for me:It's disjointed. Not jarringly so, but for much of the book I felt like I was reading a series of vignettes, some more interesting than others. The thread that held it all together, the fact that the narrator and two other boys were having adventures on a long sea voyage, wasn't enough to keep me from being annoyed by what seemed like randomly presented short stories. This style is generally not my favorite.I didn't have a vested interest in any of the characters. Maybe this was because, just as I was getting into a character's story, I was thrust into another character's mini-story. I generally like to have empathy with at least one character. What I did have was some curiosity and interest, but the minute I was getting vested in an outcome, the storyline shifted.With that out of the way, here's what I thought worked:It was beautifully written. There were passages in this book that I've bookmarked and return to because of the stunning way the author drew the pictures. MagicalIn the end, it did capture my interest enough to want to finish the book. The bit of intrigue about the prisoner on the ship, the intrigue about Emily, among other things, kept me interested and I wanted to find out what I could about these mysteries.When I finished the book, I looked to see what else this author has written and will check out some of his other novels, and perhaps his poetry. That, to me, is a sign that there was more about the book that I enjoyed than that I found annoying.I would recommend the book, with the caveat that it does not follow a strong plot line.
To read Michael Ondaatje is to thrust oneself into a literary experience fraught with a multitude of enterprises. He seems to immediately capture a certain grace and melancholy, his words mellifluous but never laborious, his story detailed but never drawn out. This work, `The Cat's Table' even adds a certain European element to the prose that for this reader encompasses a decided mystery to the account that I found fascinating.The story is an account of a young boy's journey from Ceylon (present day Sri Lanka) aboard a large liner,`The Oronsay' in the early 1950's to England to live with his estranged mother. Aboard, he meets two other boys and, while seated with other lesser passengers at `the Cat's Table, the dinner location the farthest away from the captain's, they conjure up adventures that will live with them throughout their lives.Narrated by the author, who is one of those young boys, it has a certain autobiographical feel while, alternatively, having been critiqued as a `coming of age' story... but these epithets seem to miss the point of this work, it seems to me. Yes, Ondaatje is expository with many youthful anecdotes but he is much more insightful when he explores the inner and humanistic side of the various people he encounters. Brilliant observations and almost mournful leaps forward to his adult years that embrace the memories, so stark aboard the Oronsay, are to me the highlight of the book. Again, the literary grace in which Ondaatje is able to converge these thoughts and considerations is magnificent...this work flows and has a pace and tempo that is unmatched by anything that I've read before.I'm told that the other works in Ondaatje's catalogue are similar in that he places the literary importance and sense of story above all else. That essence is certainly present here and I look forward to reading those other works by him...having said that, I certainly have no hesitation recommending this to anyone who has not had the pleasure of reading this marvelous author.
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